Posts from — June 2011
“What’s it like photographing a National Geographic story?”
It’s a question frequently asked and to be honest, a rather intriguing one because a National Geographic story — the process from beginning to conclusion — is not always what we might think.
For one thing, I tend to get very wet and ruin equipment.
Often extremely dirty.
And working 10-14 hours each day for usually four to five weeks straight, utterly exhausted.
In what will become a multi-month series, I’ll try to demystify the experience, sharing insight and nuances on how such long-term projects originate until the magazine arrives in your mail slot, starting now with a latest story I’m about to begin for National Geographic.
But there’s a catch…due to contractual reasons, photographers who work for NGM cannot share the details of stories we’re working on. So this latest story will be nicknamed, White Horse. Like any publication, National Geographic wants to herald the issue being reported. Makes complete sense. These blog postings will only have vague references regarding the next two to three months that will make up this entire assignment, explaining in further detail the processes of an NG assignment using previous stories I’ve done for this amazing yellow-bordered magazine.
Nearly all non-breaking news stories I work on tend to evolve much like this:
A conjecture or notion.
Every photographer needs a file folder in a cabinet or a folder on their computer titled “Story Ideas”.
In mine, there resides around 20 or so subfolders listing various topics of intrigue, interest or importance. Some have languished for years, gathering bits of details here and there if the topic is extremely obscure or not well documented.
Other story folders are chockablock full of research, waiting to be dusted off and turned into a one page proposal.
And there are story proposal which jettison out of nowhere — while sleeping, out walking or sitting upon seat D in row 57 on a long-haul flight trying to keep blood circulating in cramped legs, scribbling ideas on airliners napkins or painstakingly tapped with butterfinger thumbs on an iPhone note until expanding later.
Yet other stories, like the White Horse, arrive as a telephone call or email.
The ones which most often come to meaningful fruition are the notions that never exist on paper or in electronic form. They lay wedged in the subconscious, waiting for events or issues from around the world (or in our own backyards) to transpire, causing a near Vegas Strip of neon to switch on when the moment of solidification happens.
We’ll begin with one such notion that wallowed about in the noggin, evolving months later — and very quickly — into a story for National Geographic that was published in the June 2009 issue.
Have written a bit about this story a few weeks ago from the perspective of a fellow farmer and our collective global connectivity. This time, the we’ll dissect how such a complex story actually manifests.
It goes a bit like this…while living in Asia for over 12 years I would, on average, make one or two visits a year to the United States. It was late 2007 and while visiting either Washington, DC, or the in-laws in Florida, I couldn’t help but notice that the cost of food — both at grocery stores and in restaurants — was getting noticeably expensive, or at least the wallet was feeling pricier foodstuffs. Asking a slew of questions to anyone willing to listen — along with digging for statistics related to the rate of inflation, personal income, fuel prices and other more basic nuts and bolts humanizing questions — I began to see a trend forming; Salaries hadn’t increased in America commensurate to the rate of inflation. Beyond the insane rise in housing prices between 1996 and 2007 (we all know what happened a year later), another item which we cannot live without had suddenly increased — food. That was the first seed to be planted in cranium.
A few months later, riots began to break out in Haiti, Egypt and parts of Western Africa over rising food costs. Second seed or file stored within a ventricle.
Days after returning from another U.S. visit in April 2008 and while jibber jabbering with neighbors, the topic somehow steered to the rising expense of living on Bali, most specifically, the cost of food. Even our friends, Lady Made and Ibu Komang, were explaining that they were having trouble affording meat. And the cost of rice had significantly increased in recent months. These discussions mirrored not only what my neighbors were sharing, they were the exact same concerns my wife and I were experiencing: For the price of foodstuffs on Bali had indeed increased in a very conspicuous way. Beyond my unscientific polling, food riots were also breaking out in Jakarta.
One evening while lying in bed, it hit like a ton a lead; A significant rise in the cost of the most basic needs we as humans require for survival had rather suddenly, and without much warning, spread like wildfire across the entire planet.
In North America, citizens where paying more for food but were able to cushion the blow by using credit or steering away from all natural and premium items, therefore holding back the bane of every governments concern — population unrest.
However in Haiti — already crippled in some of the most brutalist forms of poverty on earth — the population had reached it’s tipping point.
Egypt had also reached such a apex with riots breaking out across the country. By the way, many might think that the revolution which ousted Egyptian President Hosni Mubarak was connected to the populations angst against his 30-year reign. Yes, that was a major part of it once 2011 arrived. However it’s roots connect to the Egyptian peoples inability to afford food.
These issues, along with my concerns of how to feed my own family, caused these various story files lodged in gray matter to come tumbling out.
Bursting out of bed, in about three minutes I hammered out an initial story proposal to then director of photographer, David Griffin. It poured faster then pasta strainer releases water.
Normally I’ll read, reread…rereading again and again…any story proposal. For goodness sakes, even for a basic Facebook post, at the very least I’ll double, even triple check, before clicking share!
Not this letter.
When closing the email to David with “All is best, John”, I hit send.
Here is the exact copy of the rapidly penned email…filled with grammar errors, line spacing issues and far too many I’s then preferred (not much into the essence of self):
The next morning, resting in the inbox, was a response from David.
Can’t find that email (had a server meltdown around that time, loosing scores of received emails from 2008) but his response was short and to the point. Will try to paraphrase:
John, how ironic. We’re thinking along the same lines internally. Would like you to do this story. More soon. D
Having a story idea approved is always a stupendous and appreciative moment. Even the most benign and shortest story should be relished as if it were a quarter of a million dollar grant to photograph anything you believe in. No story is too short nor too long to not be utterly committed. Suppose this approach makes sense, especially if you had a mother and father hammer the reality of life at a young age — “Be thankful for what you have, John!”
What begins next in the story process is actually one of the most important and utterly enjoyable bits in the entire process — Research.
Photography on very convoluted stories often flows like this: 70 percent research/logistics, 20 percent serendipity…and 10 percent photography.
It’s one thing to pen up a story proposal based upon research collected from news stories, books, feelings and direct observation. A proposal next evolves into a “Oh shit, now I have to make this happen!”
Some stories visually speak for themselves — war/conflict, social revolutions, famine and other event driven stories are primarily (though not all) about recording the occurrence transpiring before us. Long term photography projects are meditative, layered and protracted.
They can also be riddled in logistics, especially when it’s a story being told from many locations, like the food crisis would become.
With the story approved, heavy pondering began — “How, with all the weight and measure possible, do I tell this story?”
Of utmost important was the need to link deeply layered social issues to the growing food crisis. It spread across many countries and levels of society. The research needed exploring on topics such as health, environment, hope, need and change. Of paramount importance was in making sure the visual narrative expanded upon these various issues rather then repeat a similar theme/issue in each location.
Prior to this stage of the process, it seemed natural and somewhat simple to accomplish what had been penning via the email to David. Now the story had gone full circle, resting primarily on my lap to make it happen.
Cartographers are geniuses. If having not been pre-wired to be a photographer, I’d likely be a musician. But if told to decide what to do in life, it would be a geologist or a cartographer.
Maps are windows into the physical essence of our planet, a roadmap to follow for our imagination and souls. No matter where we come from, no matter what period of history we lived, the same question will have been uttered; What lies over that mountain? Who lives across this body of water? Where does this road lead to?
Maps also show what often divides us.
A few years ago I made the plunge and ordered one of those massive National Geographic wall maps.
Previous to having such a large open wall space in the barn, I used the fantastic National Geographic World Atlas, a book worth every Cent and Rupiah. It’s extremely detailed, large enough to read and still light enough to tot around your home or apartment.
Sarah Leen is a truly magnificent photo editor to work with at the Geographic — and an amazing photographer in her own right, having photographed 15 stories of the magazine. She has one of the best mantras ever: “John, Geography is in the name of the magazine. You gotta get some geography!”
Sarah’s right. And her voice, espousing as a guide, is often rolling around in the head, murmuring — sometimes screaming — while photographing as a reminder to think well beyond just a narrow view of a much broader topic.
So while getting lost within a map (no passport required), geography always ends up playing a key part in every story, especially when paving the foundation on the global topic of food:
Philippines— Unable to grow enough rice to feed it’s population, yet with the rise in commodity prices, I had stumbled upon a small newspaper article about the younger generation in the Banaue rice terraces of Northern Luzon who were actually wanting to be farmers. There was good money to be earned and most in the Philippines needed local jobs — one yellow Post-It.
The Midwest— United States is the breadbasket to the world as well as located in the Land of Excess. Have to highlight the Midwestern farmer as well as food leaving the mouth and into a cars stomach — second yellow Post-It.
Brazil and China — Kurt Mutchler (then the Assistant Director of Photography and now the Director of Photography at NGM) was the editor on this story. Kurt, along with his assistant, Whitney Hall, were brilliant at helping research. Kurt and Whitney, along with the astounding mind of Executive Editor, Dennis Dimick (who is passionate about the topic of food and was the one thinking “internally” about this topic), looked at some of the layers which connected the global food web; Brazil was shipping soybeans to China to support this Asian nation’s rise in economic strength — and meat was on plates more than ever in China’s history. Whitney, via the help of an excellent fixer, was able to find a massive ship in Brazil which was going to take soybeans from the Port of Vitoria to Southern China, an amazing feat to find. While in Brazil, I took the rise in food grain demand further by also focusing on the dramatic increase in the destruction of the Amazon, where new farmland was replacing ancient growth forests — two yellow Post-It’s.
Peru — While in South America, it made sense to look for other aspects on how we feed ourselves. Whitney found an obscure and unique topic: The government of Peru was finding a new and organic way to increase food yields by collecting guano (bird shit) from a chain of rocky islands off the coast near Lima. It was being used in their agricultural industry in replace of chemical fertilizers. A success story, adding something lateral to the narrative — one yellow Post-It.
India — Dennis, the environmental guru master (he writes an excellent blog titled Signs from Earth Notes, well worth reading), helped guide me on the importance — and failures — of the Green Revolution. The Punjab region in the 1960’s and 70’s became the breadbasket for India, allowing the South Asian nation for the first time in generations to be able to grow enough food to feed their entire country. But there was a dark side to this dawn of pesticides and fertilizers…birth defects and lowering the water table — another yellow Post-It.
Bangladesh — Kurt and I had a meeting with a World Bank food specialist who happened to be Bangladeshi. Can no longer remember his name but over the 30 or so minutes we chatted, one word echoed like a tympani: Monga. Monga is a term used to describe a season in Bangladesh when weather patterns change, causing a dramatic influx of water from melting ice in the Himalayas to rush through the northern region of the country, ruining farm land, causing displacement and disrupting the food supply. It was also in this part of South Asia where we could best understand the difficulties of trying to live — let alone feed your family — on just $2 USD or less a day. Combine weather pattern changes and poverty with the rising cost of food and you have this very simple yet weighted understanding that effects over 2 billion — yes, over TWO BILLION — fellow human beings on our planet:
If you earn roughly $2 dollar a day, 70% of that income ends up going to food. When food prices increase by 30-40%, how do you feed yourself?
You slowly start to starve — a depressing yellow Post-It note.
Egypt — The riots in the Middle East had ended by the time I started this story in late June 2008, but I didn’t want to let that important topic go so easily. There had to be lingering ramification on the rise in food costs in Egypt. Kurt wasn’t too keen on the idea but was able to convince him it was crucial to try and would only go for a few days while flying home from India. In my typical approach, I would stay in a shitty hotel to save costs — I despise the idea of spending hundreds of dollars a night staying in fancy hotels just to rest for 6-8 hours. With the help of my friend, Issam, we found a brilliant hole-in-the wall place which was smack up against the amazing pyramids of Giza. Cost $15 per night, con baño. And sure enough within a day, we came upon the opening image of the story, illustrating the reality of what happens each morning when a nation of millions cannot afford to feed themselves — another yellow Post-It.
Ethiopia — The writer, Joel Bourne, wanted to highlight grassroots agro efforts in Timbuktu, Mali. An excellent success story yet visually mute. I’d already chosen to highlight the success of the Northern Philippines, the rice bank of seeds just outside Manila and the rise of organic fertilizers from Peru. Summonsing all the visual mind power possible — no matter how romantic it would seem to visit Timbuktu — I just couldn’t see how to make rice farming in Mali all that interesting. Instead, I wanted to highlight the forgotten: The over half a billion who are surviving on $1 or less a day. Who are the people who simply cannot afford to eat? Hadn’t planned to highlight Ethiopia because the country had made significant strides in feeding its population since the famine in the 80’s. But in the Horn of Africa, weather change was wrecking havoc, causing tens of thousands to go hungry. Under reported and with little knowledge where to go, Kurt said “go visit the new commodities exchange that has just opened in Addis Ababa (a success story) and if there’s time, see what you can find further afield” — last yellow Post-It.
After weeks of reading every document I could get my hands on, most of it blandly scholastic, strewed across a map like notes on sheet music where nine yellow Post-It’s, lacing together what would become the visual narrative of the global food crisis or what ended up in the magazine being called “The End of Plenty“.
What happens next?
Pulling It Off
In a few weeks time we’ll delve into the logistics on how to accomplish such large stories— within budget — using the Sacred Water story which ran in the April 2010 issue. Sacred Water, even more logistically complex then End of Plenty, was photographed in over 12 countries during a 10-week period. Will also highlight the true unsung heros of the photojournalism world, The Fixers, who without their patients, guidance, courage and skills, none of us could ever do the work we do.
Till then, need to get back to researching this latest story, White Horse, that arrived via an email two weeks ago, connecting circumstances which took place around five years ago, 53 years ago, over 300 years and other instances prior. Utterly fascinating though dripping in academic jargon and monochrome graphs.
Gnawing to get out from under the weight of books, PDF’s, websites and more email traffic then can ever be recalled, to get behind the camera next week in a region of the world I’ve never been to before, the Pacific Northwest of North America. Equally romantic and intriguing as if heading to Timbuktu.
But there’s a challenge: How to make the White Horse visually interesting while photographing circumstances which happened eon’s ago?
Have learned over the years that nearly every National Geographic magazine story is like producing a doctoral thesis.
Wouldn’t want it any other way.
June 30, 2011 60 Comments
Overcast days = Music
More specifically — Rock n’ Roll.
Reason for starting this blog was to share passions on photography, world music, field recordings and whatnot…hopefully more whatnot then say photography, which is already covered so well by a slew of talented purveyors of bloggerdome — check out Life.com 2011 Photo Blog Awards. With such brilliance, what more could I bring to this already mighty fine table of photographic illumination?!
This week it seemed appropriate then to include some American rock n’ roll.
And if you live in Argentina or Zambia, music from the United States is indeed world music.
When in northern Mississippi two weeks ago there was some downtime before photographing at a local high school. Being in the heart of Delta Blues country one couldn’t help but stumble into the aptly name Blues Town Music store located in the old downtown district of Clarksdale. The welcoming facade with guitars hanging on the outer wall clearly magnetizing the fingerpicker in me to wander in. Sure to it’s name, it was indeed a haven for all things blues.
Ronnie Drew, sporting an amazing ultra-white head of hair, offered an immediate warm greeting in a classic Mississippi drawl that’s audibly synonymous in this part of the United States. Had known about southern warmth from books and films, and by golly it’s completely true. Kindness abounding everywhere, from everyone.
Ronnie’s also the type who let’s you play whatever guitars you fancy and did he have some beauties. Two metal body slide guitars, both made in nearby Memphis, gave off the vibe, “PLAY ME”. Can’t say I know how to play slide all that well but fingering and moving a glass slider along its neck helped strike up a conversation about music from this part of the country with the man in stunning white coif.
Mississippi is indeed all about The Blues, but the surround area, according to Ronnie, is also known for playing a roll in a specific origin of rock n’ roll.
When asking whether he had any CD’s from this region, Mr. Drew immediately steered me towards two CD’s on the disheveled counter next to the cash registered. There, resting amongst various guitar picks, tuning harps and other musical bric a brac were two CD’s titled A History of Garage & Frat Bands in Memphis 1960-1975, Volume 1 and 2.
With Memphis being but an hours drive away, it made sense that Clarksdale and Elvis might have a Kevin Bacon-esque degree of separation.
According to the liner notes:
“The Success of Sun, Stax and Hi Ricords, case a huge shadow over Memphis from the 50’s through the 70’s, influencing every musician who had any inspiration for a song or for ‘making it’ in any way. Stardom could happen — it had happened before…Elvis just walked into the door at 706 Union, but Sam Phillips was there, already recording blues, rock, symphonies and whatever hit his earhole right. The framework was here because the MUSIC was here. But by the mid-60’s, even the kings of the scene felt the heat from oversees. The British Invasion hit and the soul stars saw that these moptop ruffians were driving the kids insane playing American soul and blues music in a new, rougher form. The Animals, the Rolling Stones and early Beatles turned American kids onto music that was all around them but maybe head to hear or to get…Brits like Gerry and the Pacemakers were making it, and killer Memphis acts were ignored”.
What spawned from this British Invasion were a whole slew of musicians who dove into their garages and jammed. Few if any made it out of their parents carports or beyond gigs at frat parties. Nor would their band names ever become part of rock n’ roll lexicon — The Yo-Yo’s, The Jades or Lawson & Four More. But what did come out was a collection of rare recordings found likely only on this unique small label out of Memphis called Shangri-La Projects.
These CD’s were sealed in plastic, making a purchase of such collective music a leap of faith — unlike books, with world music it’s possible to literally know a label (Smithsonian Folkways, World Music Library, Elektra Nonsuch, etc) and buy anything from their collection, knowing they only produce the music of amazing musicians. But Ronnie was so convincing this was a great music set, I bought Volume I then bid ado to the man with awesome blanco tresses.
While heading to photograph at the nearby high school, I ripped off the cellophane, popped the disc into the rental cars CD slot and was utterly blown away, immediately realizing I’d made the mistake repeated on numerous occasions — buying only one disc of a multi-disc set.
The Le Sabres style of guitar, sax, bass and piano — well mixed above the scratches of old vinyl — rocked on their instrumental track, Rising Mercury Twist. The raw sound quality with great horns by Shadden and the King Leers’ in their song, All I Want Is You, placed me smack in the Memphis garage where this song was likely recorded back in 1967.
This CD is a mix of psychedelic rock and moody rock-blues generally associated to the Memphis sounds of this time.
Photographing at the school went well, however, I couldn’t wait to finish and rush back to Blues Town Music to get the companion CD before Ronnie shut the doors — if I hadn’t, he’d not be open when leaving Clarksdale at 6am the next day for the long drive south to the airport in Jackson.
Even though my heart is far more connected to global music than say Western rock n’ roll, these two CD’s are now a prized part of the Vintage Collection on the CD shelf. If you’re wanting to experience what is truly some of the most raw versions of American rock and roll trippy garage band funk, these two CD’s (and a compendium book — chockablock full of brilliant historical detail) are not to be missed.
Couldn’t find these CD’s on iTunes but they are available through Amazon by clicking on the album or book covers above.
These discs, containing an excellent selection of early North American rock n’ roll, performed by (quoting the liner notes) “The deserving ones left behind”, are worth their weight in history.
And if ever you end up in Clarksdale, Mississippi, (population 21,000), it’s here you’ll find one of the few remaining Bluesmobile‘s driven by John Belushi and Dan Aykroyd in the movie, The Blues Brothers. It’s located at the equally funky blues bar cum bed and breakfast called, Hopson Plantation
By the way, here’s an interesting story on how allegedly Dan Aykroyd drove this car to Clarksdale.
Never heard nor been to Clarksdale until this National Geographic assignment took me there. After this visit — along with some insanely tasty southern cuisine from The Dutch Oven and some staggeringly delicious ribs at Abe’s Barbecue (opened in 1924), I think it might be worth a revisit…especially for the annual Sunflower River Blues Festival, which takes place between August 12-14, 2011.
June 7, 2011 5 Comments
Spring arrived a bit late this year in the Berkshires. Haven’t lived here long enough to gauge whether such a delay is connection to global weather changes or if belated seasonal change is simply natural in western Massachusetts.
Either way, while dumping buckets of aged horse shit into the fields recently behind the barn, it caused to ponder about farmers I’ve had the honor to meet and photograph over the years.
It also reminded to get this years crop in the ground soonest or else loose more time trying to feed this beast called a blog — albeit an enjoyable beast to wrestle on a near weekly basis.
I’ve spend much time with famers across this amazing spinning ball we all call home, however some farmers really stood out, leaving an impression residing deep each time I eat a meal.
Living literally in the middle of a ricefield for five years in Bali, nearly all my neighbors were farmers. Each morning, next door neighbor, Bapak Made, would head out to plant, inspect, harvest or just enjoy a romp through his fields.
On one occasion for the book, Island of the Spirits, I wandered through the terraces with Bapak Made to attend a ceremony at a small temple in his field called a Pura Ulun Siwi, erected and placed in its specific location for one equally specific reason — for giving thanks towards a bountiful harvest and giving respect to the god of earth.
Such moments always gave cause to rethink how fragile we are regarding the ability to feed ourselves, especially in a time when many young children in cities haven’t a clue what a tomato is or that french fries are actually potatoes.
Take a moment and watch this except of chef Jamie Oliver as he asks a classroom of 1st grade students what the name is of red veggies he was holding:
Alarming, isn’t it.
I met Jason Hinson while working on the End of Plenty story for National Geographic. He’s one of those fellas you immediately connect with. A true salt of the earth type. Felt as if I’d known him my whole life yet at the time had simply wandered over to his John Deere combine and asked if I could ride with him while he harvested thousands of ears of corn. For the record, Jason’s Deere could eat my 3320 Deere like an olive.
He was working the fields in Kingston, Iowa.
Jason was kind enough to let this giddy wannabe farmer pilot his mammoth Deere. It was astonishingly simple to drive with control and speed like a Mercedes Benz. No wonder these machines cost more than an average house.
Life as a farmer anywhere on earth is never unchallenging. It had been a difficult year in 2008 for Midwestern farmers. Many had lost their crop when the Mississippi River overflowed it’s banks due to unusually heavy rains further north.
Seems farmers in America are equally affected by climate change as they are in Bangladesh or the plains of northern Kenya where the exact opposite plays out but with deadly consequences.
Low crop yields in developing nations are a primary cause of world hunger, and low crop yields are connected to severe weather pattern change taking effect across the planet, especially in the Horn of Africa.
Spending a few days with Jason and his friend, Chad Kuntz, was a reminder of how dependent our entire food supply is to so few who actually still work the land.
In the United States, less than 1% of the population are farmers.
Not that long ago, we were all farmers. Few complained about the long hours and hard work. Such labor had it’s rewards — survival.
These days we naturally want more.
For the last few decades — along with the foreseeable future to come — our entire existence relies on the hardworking hands of Jason, Made, Chad and a dwindling number of others who understand the brilliance of planting a seed, reaping the benefits of something we often can take for granted.
I recognize that not everyone can be a farmer. It’s physically impossible as well as impractical. Even for our family, less than one acre of organic vegitables and 30 hens for organic eggs is a labor, though fortunately a labor of love.
One difficulty we’re facing is not the lack of open land in say, New York City, to grow food for the entire population of the greatest city on earth. The problem…where there is land to grow, so few in developed nations are willing to work it.
While driving around Mississippi two weeks ago, I was listening to a story on NPR about foreign workers. A Georgia farmer could not find locals in his town who would be willing to work the harvest season. Even at $200 per day (or around $25 per hour, three times more than working at a fast food joint), the only ones willing to work were migrants who are desperate for a job in order to feed their own families back home. Astonishing yet understandable when Xbox’es and 300+ television channels are so conveniently gobbling up our time and minds.
An even greater obstacle to overcome in order to be able to feed the human population; Changing how we use of land which is already being farmed.
Too much is now being diverted to biofuels, taking good soil and land away from our bellies and into the tanks of our automobiles.
The Amazon Rainforest is being clearcut to make way for even more farmland in order to grow soybeans for the global rising demand in meat.
None of this tractor-pondering is revolutionary. Nor is there just one single factor related to significant problems we’re facing.
However it is monumental when you consider that the present way we use our arable land is simply not going to yield enough food unless we radically change the way we work the land, getting more engaged in regards to how our food is grown and ease up on food waste — one-third or 1.3 billion tons of food goes wasted each year.
In a few weeks time our population will reach 7 billion.
By 2050, 9 billion.
How will we feed ourselves?
Having feed The Beast, next to feed the chickens and water the garden in hopes to feed the family with a simple but needed harvest in the months to come.
NOTE: To read some fascinating insight about our food supply, the environment and a host of other related illumination, read Dennis Dimick’s blog, Signs from Earth.
June 2, 2011 4 Comments